National Library of Sweden, A 84
Cantus sororum - antiphonary for the Birgittine sisters (‘Codex Borghese’)
Italy, Sweden?, Vadstena Abbey?, 12th century, second half, 15th century, second half
Parchment
i, 63, i' leaves
290–295 × 210 mm
3 units
Latin
Unit 1
Unit 2
Unit 3
Support
Foliation
Condition
Unit 2
Some holes in the parchment have been repaired before the production of the book, see e.g. p. 65. Leaves have been trimmed resulting in some loss of music, see p. 101. The pages are dirty and worn in the lower outer corners, some of which have been repaired, see e.g. p. 45, 79. Some corners missing, no loss of text.Layout
Script
Unit 1
Unit 2
Unit 3
Hand 4
Textualis.Additions
Binding/Endleaves
Unit 2
Unit 3
Decorations
Unit 1
Main text in brown ink. Rubrics in red. Capitals touched in red.
Unit 2
Notation and text in black ink. Capitals touched in red. Staves and rubrics in red.
p. 3: Puzzle initial ‘T’ over the entire stave and the text line, in blue and red with red pen-flourishing inside the letter. pp. 3–105: Plain initials over the entire stave in alternating colours: red, black and blue. Some have reserved interior shapes (e.g. p. 78), some are both black and red with added pen-flourishing or drawings (e.g. p. 64, 103). pp. 106–121: Plain initials over the entire stave in alternating blue and red ink, sometimes with flourishing in contrasting colour (e.g. p. 117). pp. 121–122: Plain initials over 2 lines in alternating red and blue with pen-flourishing in contrasting colour.
Unit 3
Notation and text in black ink. Staves and rubrics in red. Plain initials in red and blue over 2 lines with reserved interior lines.
Musical Notation
Unit 2
Square notation with occasional liquescents.
Unit 3
Square notation.
Binding
19th-century binding. Brown leather over medieval wooden boards. 4 double raised bands and 2 end-bands. 2 pin clasps attached to leather straps going from the RCO. Spine, stamped in gold: ‘A 84’.
2-line blind tooling along the outer edges of the volume, creating a panel which is further divided by 2-line tooling in the form of an ‘X’.
Origin
Unit 1
Italy, 12th century, second half.
Unit 2
Origin unknown, Sweden?, Vadstena Abbey?. 15th century, second half. The hand here is not Italian, a fact noted by Nilsson and Hedlund (1992), p. 28, who also state that the hymn melodies seem to conform to the Swedish tradition, as does Moberg, p. 154. Lindqvist Sandgren claims that the main part of the manuscript (i.e. Unit 2) was produced at Vadstena Abbey. In contrast to Nilsson and Hedlund, Servatius (1990), pp. 53–54, states that an analysis of the melodic variants shows affinities with Dutch manuscripts.
Unit 3
Italy, 15th century, second half.
Provenance
Belonged to the Borghese family, see bookplate of Marcantonio V Borghese (1814–1886) on LCI. Earlier provenance is unknown but Geete (1895), p. lxxviii, suggests the Birgittine monastery Paradiso near Florence, as does Servatius (1990), p. 53, who also mentions Scala Coeli in Genoa or a house in Valencia as other possibilities.
Acquisition
Purchased by the National Library of Sweden in Rome, at the book auction of Paolo Borghese, Prince of Sulmona, held 6-28 February 1893, see addition on LCI. The auction catalogue number mentioned there does not correspond to the number in the Borghese auction catalogue, where it is listed as no. 4564.
- Geete (1895), pp. lxxvi–lxxviii.
- Moberg (1947), p. 154.
- Nilsson (1990), pp. 235–258.
- Nilsson and Hedlund (1992), pp. 17–30.
- Servatius (1990), pp. 53–54.
- Urberg (2016), passim.
- Vuori (2018), pp. 77–93.
