Uppsala University Library, Gr. 8
Composite manuscript with miscellaneous contents
Crete, El Escorial, 1480s
paper
iii, 342, iii' leaves
135 × 90 mm
17 units
Greek
Unit 1
Unit 2
This text version belongs to recension B, which means that it reads closer to Vittorio Puntoni’s older edition than to the more recent one by Lars-Olof Sjöberg; cf. Niehoff-Panagiotides (2003), pp. 38–42. Lars-Olof Sjöberg’s edition focuses on recension A, i.e. Symeon Seth’s adaptation of Kalīla wa-Dimna (Sjöberg (1962)).
On ff. 87r–87v notes were added secondarily on the previously blank pages: a petition draft concerning a land dispute, dated 1546-09-10; notes on a bishop’s benediction of land, dated 1546-12-09; a doxology, followed by pen trials at the bottom of the page.
Unit 3
Unit 4
Unit 5
Unit 6
For similar gnomologies in other manuscripts, see Lampsidis (1985).
On ff. 199v:13–199v:17 perhaps an owner’ note? A name, διμος πετζαλης φρυσαληοτης and the phrase αρχη πιστεος μου η εικ... σταυρος can be seen. Cf. f. 331v.
Unit 7
Unit 8
Unit 9
Unit 10
Unit 11
Unit 12
Unit 13
Unit 14
Unit 15
Unit 16
Unit 17
Support
Unit 2
Unit 3
Watermark 3
Unit 4
Watermark 3
Unit 5
Watermark 3
Unit 6
Watermark 3
Unit 8
Unit 9
Unit 13
Unit 15
Foliation
Collation
Binding/Endleaves
Unit 1
Unit 2
Unit 3
Unit 4
Unit 5
Unit 6
Unit 7
Unit 8
Unit 9
Unit 10
Unit 11
Unit 12
Unit 13
Unit 14
Unit 15
Unit 16
Unit 17
Layout
Unit 2
Unit 15
Script
Unit 1
Hand 1
(ff. L1r–L3r) ⟨Nicholas de la Torre⟩; a skilled but personal hand, a right-sloping, ornate, even somewhat turgid minuscule. Letters and spiritus often connected with the accents. Extended, upright grave and acute accents. Iota subscriptum. See also RGK, vol. 1, no. 319, vol. 2, no. 438.Unit 2
Hand 2
(ff. 1r–86v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 3
(ff. 87r–87v) Notes and pen trials by a sixteenth-century hand: a skilled, fluent, but not very carefully executed minuscule.Unit 3
Hand 2
(ff. 88r–103v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 4
Hand 2
(ff. 104r–127v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 5
Hand 2
(ff. 128r–151v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 6
Hand 2
(ff. 152r–199v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 4
(ff. 197r–199v) Scattered notes and pen trials by a later owner? (an unskilled minuscule hand revealing poor spelling). On (f. 199v) a name: Διμος πετζαλης φρυσαληοτης.Unit 7
Hand 2
(ff. 200r–207v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 1
(f. 200r) ⟨Nicholas de la Torre⟩ has in the upper margin added the rubric Τοῦ αὐτοῦ κατὰ Λατίνων, in his rather sweeping sixteenth-century minuscule.Unit 8
Hand 2
(ff. 208r–223v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 9
Hand 2
(ff. 224r–237v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 10
Hand 2
(ff. 238r–253v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 11
Hand 2
(ff. 254r–261v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 12
Hand 2
(ff. 262r–285v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 3
(f. 283v) Additions in the margin by a sixteenth-century minuscule hand. Probably the same hand as on (ff. 87r–87v).Unit 13
Hand 2
(ff. 286r–301v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Unit 14
Hand 2
(ff. 302r–305r) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 5
(ff. 305v–307r) Scribblings, computations, and an owner’s note in an unskilled minuscule hand. The owner’s name seems to read Kaloiannis Antiochou, protopapa of Palea; cf. (f. 307r).Unit 15
Hand 2
(ff. 308r–323r) The supralinear Greek in this unit was probably written in the hand of ⟨Theodoros Ky...kos⟩, based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 3
(f. 315v) The microtext was added by the same sixteenth-century minuscule hand responsible for the notes on (ff. 87r–87v) and (f. 283v).Hand 7
(f. 323v) Part of a mathematical problem was put in by a reader using a plain, angular minuscule.Unit 16
Hand 2
(ff. 308r–323r) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Hand 3
(ff. 329r–329v) Notes in a sixteenth-century minuscule hand; cf. (ff. 87r–87v). Also some later copying of these notes in a coarser, unskilled hand.Unit 17
Hand 2
(ff. 332r–336v) ⟨Theodoros Ky...kos⟩ based on comparison with Par. gr. 3045, , in which there is a subscription. He uses an upright or slightly right-sloping minuscule, in general neat and plain but with some larger letters interspersed (e.g. majuscule gamma, tau, and also nu when first in a line). See also RGK, vol. 2, no. 176.Additions
Decorations
Unit 1
Plain red initials. Small wisps in black or red after some of the pinax entries.
Unit 2
The spaces left by the main scribe for rubricated titles and initials were in some cases filled in later, in red or brownish-black, by an unskilled hand. One larger initial, on (f. 13v), is ornamented with palmettes.
Unit 3
Unit 4
Flourished initials, titles, and marginalia in red ink. A few line fillers in the same flourished style, or with a strapwork pattern ((f. 104r)).
Unit 5
Unit 6
Rubricated titles accompanied by floriate decorations ((f. 152r)), or followed by floriate initials of varying size, from 5 to 1 line in height. A diagram decorated in red and black ink, on (f. 162v), and a headpiece in strapwork design on the same page. The last text ((ff. 197r–199v)) was left untitled and got no rubrications by the main scribe; initials were later filled in with light brown ink.
Unit 7
No rubrications by the main scribe. Some initials and a couple of titles added later in light brown or red ink.
Unit 8
Rubrication of title and initials planned but not executed by the main scribe; some were added later in various shades of red, brown, and black ink.
Unit 9
Plain initials in brown ink are secondary.
Unit 10
Plain initials in brown ink are secondary.
Unit 11
Unit 12
Unit 13
A strapwork knot and an ornamented initial on (f. 286r). Some of the plain initials were put in secondarily.
Unit 14
No decorations. Title missing on (f. 302r). Plain initials in brown ink, put in secondarily.
Unit 15
Large initials in the Latin text are written in the same ink as the main text, except for one that is missing, on (f. 315r). No rubrications or decorations.
Unit 16
No titles. The larger initials are secondary.
Unit 17
One ornamented initial, 5 lines in height. Small but elegant initials at the beginning of each fable; all initials are in black ink with tiny dots of gold attached.
Binding
The binding is probably of late seventeenth century Spanish origin.
Yellowish parchment laced-case binding over paper board. Sewn on three supports. Endbands oversewn with hemp cord. Two pairs of alum-tawed ties at foredge.
Gilt edges; a gauffered pattern on foredge.
Origin
Unit 1
This binion was added to the rest of the codex after its arrival at El Escorial in 1576. Nicholas de la Torre wrote the table of contents and added the foliation throughout.Provenance
Acquisition
Former shelfmarks
- Benzelius (1706), pp. 55–61.
- Graux (1889), pp. 34–41.
- Lundström (1897).
- Rudberg (1960).
- Sjöberg (1960).
- Carter (1970), p. 37.
- Torallas Tovar (1994), pp. 224–242.
- Nyström (2009).