National Library of Sweden, A 139
Missal
Germany, Bavaria, 1000, circa
Parchment
i, 373, i' leaves
270 × 225–235 mm
Latin
The text appears to be an early form of missal which includes the Station churches in Rome in the rubrics (beginning and ending with St Maria Maggiore, f. 12v and f. 233v). The text on ff. 11r–284v agrees to large extent to the content and order of the text in the Gregorian Sacramentary Cambrai Bibliothéque Municipale MS 164 from the early 9th century, but with added Bible readings and antiphons, cf. Deshusses (1971), pp. 99–295, 303–334. The Proper of Time is followed by a Proper of Saints, which ends in November, after which a set of prayers for Advent introduces a collection of prayers, blessings and related texts. The final text in the manuscript is a Proper of Time, beginning with Pentecost, it contains no mention of Station churches and with formularies only for Sundays, Wednesdays, and sometimes Fridays.
The calendar is not complete. It begins with the Seven Virgins (9 Apr.) and ends with St Sylvester (31 Dec.).
For a complete transcription and discussion, see Tüchle (1978), pp. 202–208.
Notable feasts:
f. 1rb: Sts Gordianus and Epimachus (10 May);
f. 1vb: St Ulric (4 July);
f. 2rb: St Afra (7 Aug.);
f. 2va: St Magnus (6 Sep.);
f. 3ra: St Gallus (15, 16 Oct.);
f. 3ra: St Columbanus (24 Oct.);
f. 3ra: St Pirminus (3 Nov);
f. 3rb: St Fridolin (15 Nov.);
f. 3rb: St Otmar (16 Nov.).
Leaves in wrong order; the correct order is: f. 149, 151, 150, 152.
The Proper of Time begins with Christmas Eve and ends with Wednesday in the Octave of Pentecost.
The easter mass on ff. 150v–184r includes the Trisagion in Greek and Latin (f. 159v), and instructions for baptism/catechumen. There is also a longer litany on ff. 179v–181v, which inlcludes Sts Gordianus and Epimachus, St Ulric, and St Afra.
Begins with the First Sunday after Pentecost and ends (defectively) on Friday in the Fifteenth Week after Pentecost.
No saints mentioned. Consists of formularies for Sundays and Wednesdays, sometimes Fridays.
Support
Binding/Endleaves
Foliation
Collation
Condition
Textblock
Parchment of notably varying thickness, worn and in places, especially in the beginning, stained. The blind ruling has cut through the leaves in places, e.g. f. 161 (second line from the bottom), Several holes in the leaves, e.g. on f. 63, but no loss of text. Text, mainly rubrics, faded in places, e.g. on ff. 4v–5r. Several leaves have had strips cut from them, e.g. f. 273, but seemingly without loss of text. f. 1r: text faded and stained. f. 10r: leaf repaired in the upper corner.Layout
Script
Textblock
Hand 1
Carolingian minuscule. Hoffmann (2004), p. 163 gives a description of the script and identifes a second hand on (f. 18v), lines 1-5. Furthermore, on the same page Hoffman identifies addition in the text by 12 different hands from the 11th and 12th centuries. (f. 4r), (f. 10r), (f. 10v): Hand C (Hand A and B reported as main scribal hands); (f. 5v), (f. 6r): Hand D; (f. 6r): Hand E; (f. 7r): Hand F; (f. 9v): Hand G; (f. 10v), (f. 11r): Hand H; (f. 202r): Hand I; (f. 202r): Hand J; (f. 237r): Hand K; (f. 305v): Hand L; (ff. 308r–309v): Hand M; (f. 309v): Hand N.Additions
Binding/Endleaves
Textblock
Decorations
Textblock
Main text in brown ink, rubrics in red, capitals in red in some places.
ff. 4v–5v: Display script in brown, red and gold ink, interchanging lines, covering the full pages.
f. 6v: ‘UD’ (Vere dignum). White wine stem monogram placed in a quadrangular thin frame, outlined in red ink and accompanied by red script inside the frame. Ca 14 cm wide and high. The wine stem is twined around a central cross.
f. 7r: TE IGITVR. A large outlined straight T, placed in a quadrangular frame with a letter e to the right (Te) and a G to the left. Below the G is an I and a second T and below the E is a V, followed by an unaccomplished R. White wine stems and quadrilobes connect the letters. Red text above, below and to the right of the composition.
f. 11r: decorated initial ‘H’ over 6 lines. The leter is painted in red, green and blue, and decorated with greenish vine-stems and quadrilobes. Below, the abbreviation for ‘deus’ is painted in the same style, with the ‘D’ over 9 lines, an abbreviation line, and an ‘S’ over 3 lines.
f. 11v: decorated initial P over 10 lines. The initial is outlined in red and deocrated with vine-stems. Some of the enclosed space is filled in with a purplish blue. The leter is enclosed in a frame, which is red on three sides, and gold and green on the fourth side.
ff. 11r–18v (24-26 Dec.), f. 65v (Quadragesima), f. 125r (Palm Sunday), f. 161r (Exultet), f. 162v (Orationes), f. 174v (Benedictio salis), f. 184r (Holy Saturday), f. 185v (Easter Sunday), and f. 334r (Pentecost): decorated initials over 3 lines (and extending below the line). The initials are outlined in red and decorated with penwork details and foliage ornaments. Enclosed space or background often in a purplish blue.
f. 7v: Full-page miniature of the crucified Christ. He is dressed in a long robe, has long hair and a cross halo. The cross has a second crossbar or plaque on top. Beneath Christ's feet stands a chalice. The motif is outlined in dark ink and coloured with touches of red and gold; it is surrounded by a thin double frame, the outer frame in gold and the inner in red.
f. 9r: Half-page miniature of enthroned Christ and a standing priest. The priest (at left) is standing in a vault/rounded arch, raising a chalice towards the seated Christ at the right side. The priest is wearing a full-length robe, stole and has a short beard. Christ is placed in a rhombic double mandorla at the right side, sitting on an X-shaped throne with lion heads and feet. Christ holds an open book in his left hand and by the right hand he blesses the priest. Christ has long robe, short beard and a cruciform halo. The scene is split in two separate framed sections and outlined in dark ink, coloured with touches of red and gold.
Musical Notation
Textblock
Neumatic notation in campo aperto.
Binding
Medieval binding. Light brown leather over wooden boards. 4 double raised bands and endbands. 2 hooked brass clasps. Spine, in ink: ‘ANTIPHONA [--- 4 chars ---] ’; ink on label: ‘No 16.’; stamped in godl: ‘A 139’; ink on label: ‘e. 30. 6. 9.’ (this label covers another label); ink on label: ‘16 [--- 5 chars ---] ’.
Clasps and catch plates decorated with foliate patterns.
Origin
Provenance
The manuscript belonged to the abby in Thierhaupten during the 12th century and after 1342 it was transferred to the church in Weihern, see Tüchle (1978), pp. 198–199.
Acquisition
Taken as spoils of war during the Thirty Year's War. The manuscript is listed in Vossius's catalogue from 1651 (U 202:1, p. 15).
The signa on the spine refer to the catalogue of 1734 (U 125e): ‘No 16’; and Hammarsköld's catalogue from the 19th century: ‘e. 30. 6. 9.’.
- Gyllene böcker (1952), p. 25, no. 13.
- Hoffmann (2004), pp. 162–164.
- Illuminated manuscripts (1963), p. 9.
- Paléographie musical vol. 3, plate 119.
- Tüchle (1978).