National Library of Sweden, A 147
Geoffroy Babion, Commentary on Matthew
France (northern), 12th century, last quarter
Parchment
i, 184, i' leaves
270–275 × 175–180 mm
Latin
Secundo folio
quorum tamen euuangeliaSupport
Binding/Endleaves
Foliation
Collation
Condition
Binding/Endleaves
LCI consist of a fragment from a manuscript over which blank parchment has been pasted. This parchment has been partially torn off and now covers half the text of the underlying fragment. On the upper part of the RCI there is an offprint from a removed parchment leaf (now MS A 137a), under this is a stained but otherwise intact parchment leaf.Textblock
The parchment is fairly rough, the leaves are uneven, some with holes (no loss of text), and some with contemporary repairs, e.g. f. 41. Leaves are dirty and stained in places, in some places damaged by spills with resulting smudging of the ink, e.g. f. 3r. Cuts and cut out portions of parchment, e.g. ff. 8–23 (where a small square hole has been cut out in the margin). f. 20, f. 137, f. 154, and f. 168 strips of parchment cut out and tied into a knot. Words and lines of text erased here and there, eg. f. 61v. ff. 167–168, circular knife or drypoint marks in the outer margin.Layout
Script
Textblock
The text has been written by several pregothic hands. The hands change at apparently random intervals and some hands are only responsible for short passages. The hands have been analysed in Eriksson (1935), pp. 180–182.
Additions
Binding/Endleaves
Textblock
Decorations
Textblock
Main text in brown and black ink, capitals touched in red. The ascenders on the top line and the descenders on the bottom line are often elongated, and sometimes decorated or decorated with flourishing, e.g. (f. 13r) and (f. 15v).
(f. 1r): Opening penwork initial ‘D’ over 5 lines (extending above the line) in red;
(f. 3v): penwork initial ‘I’ over 8 lines (extending below the line) in red;
(f. 163v): penwork initial ‘S’ over 8 lines (and extending into the margin) in red.
In general, the decoration of the manuscript gives an impression of improvisation or randomness. Besides the three larger initials there are several other types of initials used, but no discernable pattern to their use. Some chapters are introduced by penwork initials in red, e.g. (f. 17r), others by plain initials in black with red flourishing, e.g. (f. 142v). There are also a type of initial in black and red, e.g. on (f. 15r), which are close to in style to the smaller capitals. On (ff. 40v–45v) such intitials are used frequently.
Binding
Medieval binding. Brown leather over thick wooden boards. 3 double raised bands. Spine, in brown ink on paper label: ‘Commentarius super Matthaeum No 4’; stamped in gold: ‘A 147’; in ink on paper label (pasted over an older label): ‘e.30.9.21.’; remains of a label with illegible text.
LCI and RCI are fragments from a Carolingian text, the Passio S. Dionysii. Two fragments of the same text were previously removed from the manuscript. These fragments are stored separately under the signum National Library, MS A 137a.
Provenance
Early provenance unknown. In the later Middle Ages the manuscript belonged to the Celestines of Marcoussis (founded in the early 15th century), as indicated by the addition on f. 184v. Their monastic library was sacked in the wars of the 16th century. After this the manuscript belonged to Paul Pétau.
Acquisition
Purchased from Paul Pétau by Queen Christina. The manuscript has been at the Royal Library since the 17th century. The signa found on the manuscript correspond to the catalogue of 1734 (U 125e), where it is listed as: ‘Theol in 4o no 4’; and to Hammarsköld’s catalogue from the 19th century (U 133), where it is listed as: ‘e.30.9.21’.
- Eriksson (1935), pp. 179–219.
- Eriksson (1936), pp. 196–201.