National Library of Sweden, A 147
Geoffroy Babion, Commentary on Matthew
12th century, late, or 13th century, early
parchment
i, 184, i' leaves
270–275 × 175–180 mm
Latin
Secundo folio
quorum tamen euuangeliaSupport
Binding/Endleaves
Foliation
Collation
Condition
Binding/Endleaves
LCI consist of a fragment from a manuscript over which blank parchment has been pasted. This parchment has been partially torn off and now covers half the text of the underlying fragment. On the upper part of the RCI there is a small fragment of torn of parchment leaf with text, under this is a stained but otherwise intact parchement leaf.Textblock
The parchment is fairly rough, the leaves are uneven, some with holes (no loss of text), and some with contemporary repairs, e.g. f. 41. Leaves are dirty and stained in places, in some places damaged by spills with resulting smudging of the ink, e.g. f. 3r. Cuts and cut out portions of parchment, e.g. ff. 8–23 (where a small square hole has been cut out in the margin). f. 20, f. 137, f. 154, and f. 168 strips of parchment cut out and tied into a knot. Words and lines of text erased here and there, eg. f. 61v. ff. 167–168, circular knife or drypoint marks in the outer margin.Layout
Script
Textblock
The text has been written by several pregothic hands. The hands change at random intervalls and some hands are only responsible for short passages. The hands and the script have been analysed in Eriksson (1935), pp. 180–182.
Additions
Binding/Endleaves
Textblock
Decorations
Textblock
Main text in brown and black ink, capitals touched in red. The ascenders on the top line and the descenders on the bottom line are often elongated, and sometimes decorated or decorated with flourishing, e.g. (f. 13r) and (f. 15v).
(f. 1r): Opening penwork D over 5 lines (and extending above the line) in red. (f. 3v): penwork I over 8 lines (and extending below the line) in red. (f. 163v): penwork S over 8 lines (and extending into the margin) in red. In general, the decoration of the manuscript gives an impression of improvisation or randomness. Besides the three larger initials there are several other types of initials used, but no discernable pattern to their use. Some chapters are introduced by penwork initials in red, e.g. (f. 17r), others by plain initials in black with red flourishing, e.g. (f. 142v). There are also a type of initial in black and red, e.g. on (f. 15r), which are close to in style to the smaller capitals. On (ff. 40v–45v) such intitials are used frequently.
Binding
Medieval binding. Brown leather over thick wooden boards. 3 double raised bands. On Spine, in brown ink on paper label: ‘Commentarius super Matthaeum No 4’; stamped in gold: ‘A 147’; in ink on paper label (pasted over an older label): ‘e.30.9.21.’; remains of a label with illegible text.
LCI and RCI are fragments from a Carolingian text, the passio S. Dionysii. Two fragments of the same text have previously been removed from the manuscripts. These fragments are stored separately under the signum National Library, MS A 137a, see this post.
Origin
Provenance
- Eriksson (1935), pp. 179–219.
- Eriksson (1936), pp. 196–201.